Today an artist from Dacquoise by adoption, I come from Limoges where I lived all my childhood and schooling.

Before turning to the artistic professions that called me, I turned to socio-cultural animation first, then professional integration.

 

In 2007, the baccalaureate in Pocket, I enrolled in DEUST cultural professions at the University of Limoges: a roundabout way for me to get closer to the performing arts and this, without having to confess clearly to my family what made me dream: the profession of actress. Unfortunately at the start of the academic year, we are told that the course will no longer be available for new graduates. 

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After two months of wandering at the FAC, alternating between Socio, LLCE Hispanic studies, and odd jobs more effective than a diet "as I like", I still kept my dream in mind. Well aware that the latter had no connection with what I was doing, I then decided to leave the University.

 

I found, in fact, a professional training, with the specialty of socio-cultural animation, and then integrated it, for a period of 3 years, on a work-study basis.It was a rich experience, steeped in humanist values, supported by popular education, and combining culture and support: I was in my element.

 

  He was also primordial for me, to give meaning to my existence, and that meant being able to make myself useful to the most “fragile” audiences.

 

This is what I did following this training, in particular by developing a multidisciplinary project around art therapy and mental handicap, during a partnership with ahospital de jour, (Le GEM in Limoges: Groupe D'Entraide Mutuelle), and in partnership with a local radio station. (Beaub Fm, ferrarock network).

 

Then, later, (and after my theatrical training), by staging plays performed by people with disabilities (psychological/physical/cognitive).

 

Also very concerned with youth and education, I have worked in partnership with several schools (classified in ZUP), around theater and writing projects (Limoges), and access to culture (Nantes).

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Despite my degree in hand, and many experiences, it was still difficult for me to find work. In 2012, a skills assessment led me to join the Professional Integration Officer Training: intensive training (in 9 months, and equivalent to a BAC + 2). It was through this experience that I discovered the professions of Integration, working in turn:

-At the crossroads of  students (University of Limoges),  where I accompanied students with disabilities in their projects, and where I was able to set up a project sponsorship and alumni network.

- at the Local Mission in Limoges, at the Business Relations Department.

- in a temporary work and integration company (STTIL) 

 

Then in 2013, a significant event allowed me to think about my lifelong dream (...)

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Actressprofessional training, it was in 2014 that I (finally) was able to do my classes at theTheater school "Les Enfants Terribles"(Paris 20). In this school, directed by Jean-Bernard Feitussi, and under the teaching of his teams: Patrick Raynal, Jean Michel Dupuis, Abbes Zahmani, or even France Hervé (among others), I directly integrated the second degree class, then that of the 3rd degrees of the school: a real springboard for the "elected" students, who can then confront the profession through professional creation. It was on this occasion that I had the honor of playing a tailor-made piece for our collective: a piece written by Léonore Confino (Nominated 3 times for the Molières) and directed by her equally talented_cc781905-5cde- 3194-bb3b-136bad5cf58d_acolyte Catherine Schaub (Les productions du Sillon).

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It is in thiscreation entitled: "Let's talk about something else" (for which you can find the Press filehere) that I had the chance to interpret the role of Alice Gragasony. 

 

  After these beginnings in Paris, when I was beginning to miss life in the Provinces, I left this project behind me in order to fly to Bordeaux. It was there that quite quickly, I was cast to interpret the main character of a comedy with two roles "A test tube for two" at the comedy Gallien: role for which I would be chosen and which I would interpret for several weeks/months.

 

Personal events then led me to return to mes native lands where I worked for 4 years as an actress and director (with various audiences), within the company of Singular Associates, thanks to which I was able to deepen my fields of expertise and benefit (in particular), a brilliant and intensive one-month AFDAS training course at the One Man Show School (Paris 9). Training which itself succeeded, a few months earlier, an internship on the clown and the character, under the tutelage of an artist who inspired me a lot: the fantastic Julie Ferrier.

 

These two experiences then confirm the fire that burns in me for comedy, and the world of humor. I had, moreover, a few years earlier, joined the company of the Café Théâtre de Nantes, where I had been able to share the stage with Edgar-Yves (and hello) or even Elodie Poux.

 

In February 2020 (February 27),   I then decided to leave everything in Limoges (my job in the Company, my accommodation, etc.), to return to live in the capital, i.e. 15 days before the very first containment, in March 2020. The rest you know...

 

So without housing and in the uncertainty of the future, the pandemic questioned all my plans, and the idea of relocating to the capital flew behind me.

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It was during this period that I really got involved in painting. Indeed, I painted my first canvas in 2018, but it was really this period of confinement that pushed me to paint (a lot). Then   I got a salaried job in my second job: in charge of integration with people with mental disabilities.

 

Freshly installed in Dax for this job, the latter will end in a burnout at the end of 2021.

This will mark the beginning of health problems in 2022: two diagnoses 6 months apart: adenomyosis and fibromyalgia... But also, and above all, the starting point of a new life.

 

Today, my determination pushes me to focus all the energy available to me on the development of my activity as an artist energy specialist:

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To create, I connect to non-palpable energies, to make visible the invisible, the state ofmultidimensionalitythat surrounds us.

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I like the idea that space and time don't exist, at least not in the way we define them today. One thing is certain, we are allcreators, in thishere, of a multitude ofpossible realities, and we must take our past and present responsibilities as a scout to act on ourfutureand in all time spaces.A future that I conceive better,"for one as for the other".

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Self-taught, is not the term I would use to define myself as a painter, because what is born on my paintings, I channel it like subtle energies. Also, I consider that it is not just about me, but about something that is beyond us. Of a great whole of which we are part, in a universal way. I would even go so far as to speak of this famous “Noûs”.

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Trained in magnetism, I also practice the art of divination, via energy guidance (cartomancy). Again, the cards are only support, to connect me to my mediumship:  in the image of art, in my life, and through which I also aspire to help others .

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Also passionate about music, dance, and singing, it is vital to be able to express myself through the arts. As through the theater, the interpretation makes my soul vibrate. And if I advocate art as therapy for others, I also know how to fully embody it.

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To summarize my Art and itsmovement, I would define it asquantum art,movement that I created by walking a very personal path,  also through books, but above all through my practice, always letting myself be guided by my intuition, my feelings, a rich life journey experiences, and like everyone else: experiences as dark as they are bright...!

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